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The Loosie it s That Talk Again

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American stone band

Talking Heads
Talking Heads in the late 1970s; clockwise from top left: David Byrne, Jerry Harrison, Chris Frantz, Tina Weymouth

Talking Heads in the belatedly 1970s; clockwise from height left: David Byrne, Jerry Harrison, Chris Frantz, Tina Weymouth
Background information
Besides known as Shrunken Heads, the Heads
Origin New York City, U.S.
Genres
  • New wave[1] [2]
  • mail service-punk[3] [4]
  • art pop[iii] [five]
  • avant-funk[half-dozen] [7]
  • worldbeat[3]
  • dance-stone[8]
Years agile
  • 1975–1991
  • 2002
Labels
  • Sire
  • Warner Bros.
Associated acts
  • Tom Tom Club
  • Brian Eno
  • Casual Gods
  • The Modernistic Lovers
Past members
  • David Byrne
  • Chris Frantz
  • Tina Weymouth
  • Jerry Harrison

Talking Heads were an American rock ring formed in 1975 in New York City and agile until 1991.[9] The ring was equanimous of Scottish-born David Byrne (lead vocals, guitar), drummer Chris Frantz, bassist Tina Weymouth, and Jerry Harrison (keyboards, guitar). Described every bit "one of the most critically acclaimed bands of the '80s",[iii] the grouping helped to pioneer new wave music by integrating elements of punk, art rock, funk, and world music with an anxious, clean-cut image.[3]

As sometime fine art school students who became involved in the 1970s New York punk scene, Talking Heads released their 1977 debut anthology, Talking Heads: 77, to positive reviews.[10] They collaborated with producer Brian Eno on a trio of critically acclaimed releases—More Songs About Buildings and Food (1978), Fear of Music (1979), and Remain in Light (1980)—which blended their art schoolhouse punk sensibilities with influence from artists such as Parliament-Funkadelic and Fela Kuti.[3] By the early 1980s, they began to aggrandize their ring by including a number of additional musicians in recording sessions and phase shows, notably guitarist Adrian Belew, keyboardist Bernie Worrell, vocaliser Nona Hendryx, and bassist Busta Jones.

After a hiatus, Talking Heads hit their commercial peak in 1983 with the U.S. Top ten hit "Called-for Downward the House" from the album Speaking in Tongues and released the concert motion picture Stop Making Sense, directed by Jonathan Demme. For these performances, the band was joined past Worrell, guitarist Alex Weir, percussionist Steve Scales, and singers Lynn Mabry and Ednah Holt.[three] In 1985, Talking Heads released their best-selling album, Little Creatures. They produced a soundtrack anthology for Byrne'due south film True Stories (1986), and released their final album, worldbeat-influenced Naked (1988), earlier disbanding in 1991. Without Byrne, the other band members performed under the proper noun Shrunken Heads, and released an anthology, No Talking, Just Head, as the Heads in 1996.

In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. 4 of their albums appear in Rolling Stone 'southward list of the 500 Greatest Albums of All Fourth dimension, and three of their songs ("Psycho Killer", "Life During Wartime", and "One time in a Lifetime") were included among the Rock and Coil Hall of Fame'southward 500 Songs That Shaped Rock and Roll.[11] Talking Heads were also number 64 on VH1'southward list of the "100 Greatest Artists of All Time".[12] In the 2011 update of Rolling Stone 's "100 Greatest Artists of All Time", they were ranked number 100.[13]

History [edit]

1973-1977: Early years [edit]

In 1973, Rhode Isle School of Design students David Byrne (guitar and vocals) and Chris Frantz (drums) formed a band, the Artistics.[14] Swain pupil Tina Weymouth, Frantz's girlfriend, often provided transportation. The Artistics dissolved the post-obit year, and the three moved to New York Metropolis, eventually sharing a communal loft.[15] Afterwards they were unable to find a bassist, Weymouth took upwards the function. Frantz encouraged Weymouth to learn to play bass past listening to Suzi Quatro albums.[16] Byrne asked Weymouth to audition three times before she joined the ring.[17]

Tina Weymouth on bass in Minneapolis in 1978

The band played their first gig equally Talking Heads opening for the Ramones at CBGB on June 5, 1975.[9] According to Weymouth, the name Talking Heads came from an outcome of Telly Guide, which "explained the term used by Telly studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. Information technology fit."[xviii] Later on that year, the band recorded a serial of demos for CBS, but did not earn a record contract. Even so, they drew a following and signed to Sire Records in Nov 1976. They released their first single in February the following yr, "Honey → Building on Fire". In March 1977, they added Jerry Harrison, formerly of Jonathan Richman's band the Modern Lovers, on keyboards, guitar, and backing vocals.[nineteen]

The first Talking Heads album, Talking Heads: 77, received acclaim and produced their first charting single, "Psycho Killer".[20] Many continued the song to the serial killer known every bit the Son of Sam, who had been terrorizing New York Metropolis months earlier; nevertheless, Byrne said he had written the song years prior.[21] Weymouth and Frantz married in 1977.[22]

1978–1980: Collaborations with Eno [edit]

More than Songs Near Buildings and Food (1978) was Talking Heads' starting time collaboration with producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp;[23] the championship of Eno's 1977 song "Male monarch'south Atomic number 82 Hat" is an anagram of the band's name. Eno's unusual style meshed with the group's creative sensibilities, and they began to explore an increasingly various range of musical directions, from post-punk to psychedelic funk to African music, influenced prominently by Fela Kuti and Parliament-Funkadelic.[2] [24] [seven] This recording also established the band's human relationship with Compass Betoken Studios in Nassau, Commonwealth of the bahamas. More Songs Nearly Buildings and Food included a cover of Al Green's "Take Me to the River". This broke Talking Heads into the general public's consciousness and gave the band their kickoff Billboard Height 30 hit.[7]

Talking Heads perform at El Mocambo in Toronto, Ontario, Canada. Pictured: Harrison (left) and Byrne.

The collaboration continued with Fright of Music (1979), with the darker stylings of postal service-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s.[vii] Music journalist Simon Reynolds cited Fear of Music equally representing the Eno-Talking Heads collaboration "at its most mutually fruitful and equitable".[25] The unmarried "Life During Wartime" produced the catchphrase "This own't no party, this own't no disco."[26] The song refers to the Mudd Club and CBGB, 2 popular New York nightclubs of the fourth dimension.[27]

Remain in Calorie-free (1980) was heavily influenced by the afrobeat of Nigerian bandleader Fela Kuti, whose music Eno had introduced to the band. Information technology explored Due west African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices.[28] These combinations foreshadowed Byrne's later involvement in world music.[29] In lodge to perform these more complex arrangements, the ring toured with an expanded grouping, including Adrian Belew and Bernie Worrell, among others, beginning at the Heatwave festival in Baronial,[30] and later in their concert film End Making Sense.

During this period, Tina Weymouth and Chris Frantz besides formed a commercially successful splinter group, Tom Tom Club, influenced by the foundational elements of hip hop,[31] and Harrison released his first solo album, The Cerise and the Blackness.[32]

Likewise, Byrne—in collaboration with Eno—released My Life in the Bush-league of Ghosts, which incorporated world music and institute sounds, also as including a number of other prominent international and postal service-punk musicians.[33] All were released by Sire.

Byrne performing with Talking Heads in 1978

Remain in Low-cal 's lead single, "Once in a Lifetime", became a Height 20 hitting in the UK, but initially failed to make an impression in the The states. It grew into a popular standard over the next few years on the strength of its music video, which was named 1 of Time's All-TIME All-time Music Videos.[35] [36]

1981–1991: Commercial peak and breakup [edit]

After releasing four albums in barely 4 years, the group went into hiatus, and about three years passed earlier their next release, although Frantz and Weymouth connected to record with the Tom Tom Club. In the concurrently, Talking Heads released a live album The Name of This Band Is Talking Heads, toured the United States and Europe as an 8-piece group, and parted ways with Eno,[37] who went on to produce albums with U2.[23]

1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's simply American Top 10 hitting, "Burning Down the House".[38] One time once more, a striking video was inescapable attributable to its heavy rotation on MTV.[39] The post-obit tour was documented in Jonathan Demme's Stop Making Sense, which generated another alive anthology of the same name.[40] The tour in back up of Speaking in Tongues was their last.[41]

I endeavor to write about modest things. Newspaper, animals, a business firm… love is kind of large. I have written a love song, though. In this film, I sing it to a lamp.

David Byrne, interviewing himself in Stop Making Sense [42]

Three more albums followed: 1985's Little Creatures (which featured the hitting singles "And She Was" and "Road to Nowhere"),[43] 1986's Truthful Stories (Talking Heads covering all the soundtrack songs of Byrne'due south musical one-act pic, in which the band also appeared),[44] and 1988's Naked. Footling Creatures offered a much more American pop-rock sound every bit opposed to previous efforts.[45] Similar in genre, Truthful Stories hatched i of the group's most successful hits, "Wild Wild Life", and the accordion-driven rail "Radio Head".[46] Naked explored politics, sex, and expiry, and showed heavy African influence with polyrhythmic styles like those seen on Remain in Calorie-free.[47] During that time, the group was falling increasingly under David Byrne'south control and, afterward Naked, the band went on "hiatus".[3] In 1987 Talking Heads released a book past David Byrne called What the Songs Look Similar: Contemporary Artists Interpret Talking Heads Songs with Harper Collins that contained artwork past some of the top New York visual artists of the decade.

Tina Weymouth, pictured hither performing in 1986, and her married man Chris Frantz formed the side project Tom Tom Club.

In December 1991, Talking Heads appear that they had disbanded.[three] Frantz said that he learned that Byrne had left from an article in the Los Angeles Times, and said: "Equally far as nosotros're concerned, the band never really broke up. David but decided to leave."[48] Their concluding release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the Terminate of the World. Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest in 1991.[29] This flow also saw a revived flourish from both Tom Tom Club (Smash Boom Chi Boom Boom and Dark Sneak Love Activeness)[49] and Harrison (Coincidental Gods and Walk on Water), who toured together in 1990.[50]

1992–2002: Mail service-breakup and final reunion [edit]

Weymouth, Frantz, and Harrison toured without Byrne as Shrunken Heads in the early 90s.[51] In 1996, they released an album, No Talking, Only Head, under the name the Heads. The album featured a number of vocalists, including Gavin Friday of The Virgin Prunes, Debbie Harry of Blondie, Johnette Napolitano of Concrete Blonde, Andy Partridge of XTC, Gordon Gano of Violent Femmes, Michael Hutchence of INXS, Ed Kowalczyk of Live, Shaun Ryder of Happy Mondays, Richard Hell, and Maria McKee.[52] It was accompanied by a tour with Napolitano every bit the vocaliser. Byrne took legal action to preclude the ring using the name The Heads, which he saw as "a pretty obvious attempt to cash in on the Talking Heads name".[53] The band briefly reunited in 1999 to promote the 15th anniversary re-release of Terminate Making Sense, but did not perform together.[54]

Harrison produced records including the Violent Femmes' The Blind Leading the Naked, the Fine Young Cannibals' The Raw and the Cooked, Full general Public's Rub Information technology Better, Crash Exam Dummies' God Shuffled His Feet, Live's Mental Jewelry, Throwing Copper and The Distance to Here, No Doubt'due south song "New" from Return of Saturn.[55] Frantz and Weymouth take produced several artists, including Happy Mondays and Ziggy Marley. The Tom Tom Club continue to record and tour intermittently.[56]

Weymouth, Frantz, and Harrison at SXSW in 2010

Talking Heads reunited to play "Life During Wartime", "Psycho Killer", and "Burning Downward the Firm" on March 18, 2002, at the ceremony of their consecration into the Stone and Roll Hall of Fame, joined on stage by former touring members Bernie Worrell and Steve Scales.[57] Byrne said further piece of work together was unlikely, due to "bad claret" and existence musically "miles apart".[58] Weymouth has been critical of Byrne, describing him as "a man incapable of returning friendship"[58] and saying that he doesn't "love" her, Frantz, and Harrison.[xvi]

Influence [edit]

AllMusic stated that Talking Heads, one of the most celebrated bands of the 1970s and 1980s,[iii] by the fourth dimension of their breakup "had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar popular".[iii] Talking Heads' art pop innovations have had a long-lasting touch on.[59] Forth with other groups such as Devo, Ramones, and Blondie, they helped define the new wave genre in the Usa.[lx] Meanwhile, the more worldly popularities similar 1980's Remain in Lite helped bring African stone to the western world.[61] Their 1984 concert film Stop Making Sense, directed by Jonathan Demme, was critically acclaimed upon its theatrical release, and is considered one of the best concert films ever released.[62]

Talking Heads have been cited every bit an influence past many artists, including Eddie Vedder,[63]LCD Soundsystem,[64] Foals,[65] the Weeknd,[66] Vampire Weekend,[67] Primus,[68] Bong X1,[69] the 1975,[70] the Ting Tings,[71] Nelly Furtado,[72] Kesha,[73] St. Vincent,[74] Danny Brown,[75] Trent Reznor,[76] Franz Ferdinand[77] and Radiohead, who took their proper noun from the Talking Heads song "Radio Caput" from the 1986 album True Stories.[78] [79] The Italian filmmaker and director Paolo Sorrentino, in receiving the Oscar for his film La Grande Bellezza in 2014, thanked Talking Heads, among others, equally his sources of inspiration.[80]

Members [edit]

  • David Byrne – lead vocals, guitar (1975–1991, 2002)
  • Chris Frantz – drums, bankroll vocals (1975–1991, 2002)
  • Tina Weymouth – bass, bankroll vocals (1975–1991, 2002)
  • Jerry Harrison – keyboards, guitar, backing vocals (1977–1991, 2002)

Boosted musicians [edit]

  • Adrian Belew – lead guitar, vocals (1980–1981)
  • Alex Weir – guitar, vocals (1983–1984)
  • Bernie Worrell – keyboards, backing vocals (1980–1984, 2002)
  • Busta Jones – bass (1980–1981)
  • Steve Scales – percussion, backing vocals (1980–1984, 2002)
  • Dolette McDonald – vocals, cowbell (1980–1981)
  • Ednah Holt – vocals (1983–1984)
  • Lynn Mabry – vocals (1983–1984)
  • Nona Hendryx – vocals (1980)

Timeline [edit]

Small-scale lines = Boosted musicians

Discography [edit]

  • Talking Heads: 77 (1977)
  • More Songs Well-nigh Buildings and Food (1978)
  • Fear of Music (1979)
  • Remain in Light (1980)
  • Speaking in Tongues (1983)
  • Lilliputian Creatures (1985)
  • True Stories (1986)
  • Naked (1988)

Run across also [edit]

  • List of dance-rock artists
  • Listing of funk rock bands
  • List of new wave artists and bands
  • List of post-punk bands

References [edit]

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Farther reading [edit]

  • David Bowman, This Must Be the Identify: The Adventures of Talking Heads in the Twentieth Century (New York: HarperCollins, 2001). ISBN 0-380-97846-six.
  • David Byrne, How Music Works (San Francisco: McSweeney's, 2012). ISBN 1-936365-53-7.
  • Chris Frantz, "Remain in Beloved: Talking Heads, Tom Tom Club, Tina" (St. Martin'south Press, 2020)
  • David Gans, Talking Heads (New York: Avon Books, 1985). ISBN 0-380-89954-10.
  • Krista Reese, The Name of This Book is Talking Heads (London: Proteus Books, 1982). ISBN 0-86276-057-7.
  • Sytze Steenstra, Song and Circumstance: The Work of David Byrne from Talking Heads to the Present (New York and London: Continuum Books, 2010). ISBN 978-08264-4168-iii.
  • Talking Heads and Frank Olinsky, What the Songs Await Like: Gimmicky Artists Interpret Talking Heads Songs (New York: Harper & Row, 1987). ISBN 0-06-096205-iv.
  • Wilcox, Tyler (October 3, 2016). "Talking Heads' Route to Remain in Calorie-free". Pitchfork.

External links [edit]

  • Official website Edit this at Wikidata
  • Talking Heads at Curlie
  • Talking Heads discography at Discogs
  • Entry at 45cat.com
  • Talking Heads at IMDb

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Source: https://en.wikipedia.org/wiki/Talking_Heads

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